11![Atlas Grotesk Atlas Grotesk, designed by Atelier Carvalho Bernau together with Christian Schwartz, is a clear and fresh sans serif with relatively long ascenders but short descenders. This allows the typeface to feel sp Atlas Grotesk Atlas Grotesk, designed by Atelier Carvalho Bernau together with Christian Schwartz, is a clear and fresh sans serif with relatively long ascenders but short descenders. This allows the typeface to feel sp](https://www.pdfsearch.io/img/f34f923cee1a392cc3681dac285dc2e7.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-05-17 13:28:14
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12![Duplicate Sans Roger Excoffon’s Antique Olive was a departure from the grotesks popular in Europe in the middle of the 20th century, and remains evocative of France. In 2007, Christian Schwartz decided to see what he Duplicate Sans Roger Excoffon’s Antique Olive was a departure from the grotesks popular in Europe in the middle of the 20th century, and remains evocative of France. In 2007, Christian Schwartz decided to see what he](https://www.pdfsearch.io/img/8ec4928265339a71781b6d905a4b5c18.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-12-11 19:11:22
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13![Duplicate Sans Roger Excoffon’s Antique Olive was a departure from the grotesks popular in Europe in the middle of the 20th century, and remains evocative of France. In 2007, Christian Schwartz decided to see what he Duplicate Sans Roger Excoffon’s Antique Olive was a departure from the grotesks popular in Europe in the middle of the 20th century, and remains evocative of France. In 2007, Christian Schwartz decided to see what he](https://www.pdfsearch.io/img/ea4642537c04f59b7196653e7da45449.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-12-11 19:10:53
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14![Duplicate Slab When the idea of a serif companion for Duplicate Sans was requested by Fast Company, Christian Schwartz decided to take the most direct route. He simply added slabs to the sans in a straightforward manner Duplicate Slab When the idea of a serif companion for Duplicate Sans was requested by Fast Company, Christian Schwartz decided to take the most direct route. He simply added slabs to the sans in a straightforward manner](https://www.pdfsearch.io/img/1a9a5f3e4179c27a6dcd8930660d09d0.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-12-11 19:11:20
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15![Atlas Grotesk Atlas Grotesk, designed by Atelier Carvalho Bernau together with Christian Schwartz, is a clear and fresh sans serif with relatively long ascenders but short descenders. This allows the typeface to feel sp Atlas Grotesk Atlas Grotesk, designed by Atelier Carvalho Bernau together with Christian Schwartz, is a clear and fresh sans serif with relatively long ascenders but short descenders. This allows the typeface to feel sp](https://www.pdfsearch.io/img/5332f0be1d9215e4f89e75fad791a21d.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-05-17 13:28:14
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16![Publico Collection Publico originated as one of many stops on the long road to The Guardian’s 2005 redesign. It was later finished for Mark Porter and Simon Esterson’s redesign of Público in Lisbon. Because Publico Publico Collection Publico originated as one of many stops on the long road to The Guardian’s 2005 redesign. It was later finished for Mark Porter and Simon Esterson’s redesign of Público in Lisbon. Because Publico](https://www.pdfsearch.io/img/98524061f3b47c24719713d72e73b29c.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2014-08-13 10:34:25
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17![Atlas Collection Atlas was originally designed by Atelier Carvalho Bernau, together with Christian Schwartz, as a corporate typeface for one of the world’s largest reinsurance companies. This Atlas Collection Atlas was originally designed by Atelier Carvalho Bernau, together with Christian Schwartz, as a corporate typeface for one of the world’s largest reinsurance companies. This](https://www.pdfsearch.io/img/8e524569958362d53fb1148ec14d5a87.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-05-17 13:28:28
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18![ct-pdf_Stag_Stencil-01b-o.indd ct-pdf_Stag_Stencil-01b-o.indd](https://www.pdfsearch.io/img/d88dc2a877a2c7d2f30a5fdaf4089057.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-05-17 13:24:31
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19![ct-pdf_Stag_Collection-01a.indd ct-pdf_Stag_Collection-01a.indd](https://www.pdfsearch.io/img/275f6dd0fbf3dd377c268542c92278c1.jpg) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-05-17 13:25:32
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20![Christian Schwartz / Erik Spiekermann / FF Meta / Univers / FSI FontShop International / Typeface / Paul Barnes / Prix Charles Peignot / Stag / Visual arts / Typography / Graphic design Christian Schwartz / Erik Spiekermann / FF Meta / Univers / FSI FontShop International / Typeface / Paul Barnes / Prix Charles Peignot / Stag / Visual arts / Typography / Graphic design](/pdf-icon.png) | Add to Reading ListSource URL: commercialtype.comLanguage: English - Date: 2013-05-17 13:24:17
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